To browse Academia. Proceedings Book. A peripheral analysis of films will reveal that they capture human emotions, employing action and speech. But centuries of colonial rule in India led to the neglect of traditional Indian aesthetics as a subject of study. But of late, the National Education Policy in India is earnestly attempting to revive the great Indian tradition. This was further accentuated by psychological theories which suggested that cinema satisfies the primordial wish of human beings for pleasurable looking. Such an approach the investigator argues makes possible a better appreciation of films and raises the level of film to an art form thereby providing a richer aesthetic experience to the spectator. Open-air cinemas which are spaces of nostalgia were significant between and regarding the financial, social, and cultural development of Adana. While the predominant use of open-air cinemas for public entertainment in hot summer evenings had ended by s because of the television broadcasting, they still live in the memory of people and keep being nodes of reference. This study aims to investigate how cinema culture formed urban space, the extent of the relationship between cinemas and the development of the city and their design principles. Within these aims locations of cinemas are identified using aerial photographs datedandnames of the cinemas are ascertained by reviewing the relevant literature, activities of 50 cinemas in the city are investigated and the relationship between the development of the city and the cinemas are examined. Furthermore, plans of twelve of the open-air cinemas are drawn using AutoCAD to understand their spatial qualities. As a result of the study, it is determined that the establishment of cinemas which started in the historic city centre with saloon ones was directed to two other regions with open-air cinemas between the years of andempty plots within the outer neighbourhoods were used to create new open-air cinemas and that there was a direct relationship between the establishment of cinemas and the development of the city. Open-air cinemas with capacities from people to were designed to have a screen in the narrow side of a rectangle, surrounded with high walls if built on land, having wooden chairs or boxes for families, and artificial pools in some examples. It is possible to argue, as the screens of six open-air cinemas have survived, that sustaining the place of cinemas in the memory of the citizens for urban cultural life is important. ÖZET Bu çalışmada, Antik Yunan filozoflarının " güzel " kavramına yönelik felsefi görüşleri ve bunların Rönesans resim sanat üzerindeki etkileri incelenecektir. Bu amaçla önce Antik Yunan döneminde " güzel " ile ilgili görüşleriyle ön plana çıkan felsefeciler ve onların konu ile ilgili görüşleri ele alınacaktır. Ardından bu düşünsel yaklaşımların Rönesans resim sanatı üzerindeki etkisi örnekler eşliğinde açıklanmaya çalışılacaktır. Bu çalışma süresince Rönesans Resim Sanatındaki " güzel " algısı ve bu algının yansıması olan estetik biçimler incelenecek ve Antik Yunan " güzel " felsefesi çerçevesinde açıklanacaktır. Thus firstly philosophers in Ancient Greek with remarkable "beauty" opinion and their opinion on the subject will be studied. Later, influence of these opinions on the Renaissance art will be shown with examples. During this study, "Beauty" idea in Renaissance and this idea's art and it's aesthetic reflection will be studied and explained with Ancient Greek idea of "beauty". Öz Sinema ve din ilişkisi, sinemanın ortaya çıkmasından bugüne kadar çeşitli dini, siyasi, ideolojik, sosyal, ekonomik açıdan ele alınarak önemini ortaya koymuş ve sayısız filme ev sahipliği yapmıştır. Sinema ve Din ilişkisi, bugün toplum tabanının ilgisini çekmekle kalmayıp akademik camiada da çeşitli tartışmalara ve araştırmalara konu olmuştur. Ülkeler arası ve dinler arası bir boyuta sahip olan bu konu hakkında Batı sinemasındaki Tanrı anlayışı ile Doğu sinemasındaki din-sinema ilişkisi, peygamberlerin filminin çekilip çekilemeyeceği, İslami öğelerin yansıtımı konusundaki çeşitli görüşler ve filmler genel olarak ele alınmıştır. Bu bağlamda Endonezya yapımı bir film olan " Ayat Ayat Cinta " filmi bu makalede incelenmiştir. Uluslararası Sanat ve Tasarım Kongresi, Migration and migration-based problems have been among the major problems of Greece since it declared its independence in Especially, it caused dramatic social and economic tribulations when they faced a severe defeat against Turks in and Greeks living Anatolia had to immigrate to mainland Greece leaving their lands after the population exchange. These problems faced due to migration found their place in cinema as well, and migration has become one of Climax Casino Royale Full Türkçe Dublaj Izle major topics worked in Greek cinema. The objective of this work is to reveal how the migration issue is reflected in Greek movie posters. In this context, the movie posters of O ProsfygasSmyrnaThe Weeping Meadoweach of which is among the masterpieces of their eras, are analyzed by analyzing means of semiotics. The reason why movie posters are chosen as the analysis objects is that movie posters, which are important carriers of ideology like other media tools, are vivid and aesthetic signs reflecting cultural, commercial and political characteristics of the country where they are designed. Therefore, analyzing movies shot in different eras, has given clues contributing to reveal the place of migration issue in social and cultural life in Greece. As a result of the analysis of the movie posters of O Prosfygas, SmyrnaThe Weeping Meadow, it is concluded that political conditions are determinant in reflection of sorrows due to migration in movie posters, and that Turks portrayed as savages, manslayers and vandals are the only reason Climax Casino Royale Full Türkçe Dublaj Izle the troubles Greeks went through in the movies O Prosfygas and Smyrnashot during an era when relations were tense due to Cyprus issue; however, in the movie The Weeping Meadow shot in when relations got milder, portraying Turks as the only blame is abandoned and it is focused on the sorrows created by migration and the exchange of population. Log in with Facebook Log in with Google.
Leveraging Ancient İndian Aesthetic Theory of Rasa for Film Appreciation-A Minor Study
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